Virtual Advent and Christmas Créche Calendar
In 2014, the McGrath Institute for Church Life began partnering with the Marian Library of Dayton, Ohio, bringing to Notre Dame’s campus an exhibit of crèches, or Nativity scenes, from around the world.
Since 2020, we have been sharing this sacred art in a different way, through our digital Advent and Christmas Crèche Calendar—a beautiful selection including creches, or Nativity scenes, from around the world.
Our calendar begins on the First Sunday of Advent and will conclude on the feast of the Baptism of the Lord. Once you sign up, you will receive a daily email with an image of a crèche from a different part of the world, accompanied by a reflective description and a brief prayer.
Prepare for the coming of Christ this Advent season, and continue contemplating the mystery of the Incarnation through the Christmas season.
For more information visit the Notre Dame Center for Liturgy website.
L. Dos Santos (Paraguay)
This Nativity scene from Paraguay is carved and beautifully painted. It depicts Jesus in a humble cradle lying before Mary. Mary, standing, holds her hands together in prayer. Joseph—barely visible—is standing behind her, peeking around his wife to see the newborn Child. The manger is embellished with two birds on either side and an angel looking over, praying for the Holy Family. The colors are bright and warm, the expressions hold a sense of joy, and the beautiful flowers suggest the newness of life that has begun in Christ.
A Shepherd’s Feast
J. B. Sengayire (Rwanda)
This scene of profound silence depicts the shepherd’s discovery of the Holy Family. Unlike Mary and Joseph, who close their eyes in a moment of peaceful worship, the shepherds eagerly look around the miraculous scene. Their energy in holding their staffs suggests that, though they are momentarily still, they are ready to rise and return to their lives, sharing this joyful news. We, too, are called to go forth from the crèche into our lives. May the peace of Christ teach us to return “glorifying and praising God” (Luke 2:20).
Sidney Matias (Brazil)
This Brazilian crèche shows the Holy Family in the manner of the Xingu tribe of the Amazon region. The vibrant birds, the animals, and the lush fruit tree call to mind the Garden of Eden, and in this paradise, all seems peaceful. However, a figure lurks in the background—a developer who seeks to destroy this place of life and flourishing. The presence of sin and salvation side by side remind us that God brings good out of evil: out of the death wrought by Adam and Eve, God brought forth life. “For God so loved the world that he gave his only Son, so that everyone who believes in him might not perish but might have eternal life. For God did not send his Son into the world to condemn the world, but that the world might be saved through him” (John 3:16–17).
A Sense of Humor and Joy
Adam Wydra (Poland)
The bright colors and expressive faces lend this crèche an unmistakable air of Christmas joy. The angel duo serenades the infant Jesus with a lute and accordion, the artist’s nod to his Polish heritage. Looking at the smiles on their faces, one gets the sense that the music they’re playing is no soft lullaby, but rather a boisterous dance, perhaps even a polka. The entire cosmos rejoices with the angels, singing “Glory to God in the highest, and on earth peace to those on whom his favor rests” (Luke 2:14).
O Thou the Central Orb by Charles Wood
Enjoy this musical performance of O Thou the Central Orb by Charles Wood, performed by the University of Notre Dame Liturgical Choir under the direction of Dr. Andrew McShane.
November 28, 2021